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Personal bits


Picture
Catherine Trujillo lives, works and mothers in San Luis Obispo, CA.
She curates anything from cowboys to pixels at Cal Poly.
She co-curates and founded Pecha Kucha Night SLO.
She volunteers a lot in the community.
She shared things & subjects & work with people close to her heart.
She likes to have fun. 

Secrets to Lives Well Lived are on her mind.

currently

PicturePhoto: Jen Young
Originally from East Los Angeles, curator Catherine Trujillo was guided into the arts by her maternal grandmother who raised her and who celebrated their ancestors and cultural heritage from New Mexico. She uses a Xicanisma and BIPoC feminist lens as a way to enact radical change. She does this work with collaborators and colleagues to name, question and intervene in racism within the arts, academia, and communities. Her lived-experiences and background in community engagement have shaped her academic career within museums, archives, and libraries growing her expertise in the stewardship of cultural histories, storytelling, publishing and design. Her work focuses on creating long-standing contributions to the cultural life of the community, with a commitment for the preservation and dissemination of underrepresented voices in history and art.
 
She oversees California Polytechnic State University’s Robert E. Kennedy Library Creative Works department, which supports alternative approaches to scholarship with a commitment to amplify underrepresented topics and voices. Along with Digital Publishing Research Fellow, jaime ding, they do this by shaping, sharing, and fueling stories with collaborators in art, exhibits, and digital publishing. And do so on the lands of yak titʸu titʸu yak tiłhini, the Northern Chumash tribe, upon which we are grateful guests.
 
Programs include:
The Faculty Exhibit Program, University Art Collection, Community Galleries, and the Digital Publishing program, which aims to enhance access to Cal Poly scholarship through a digitally immersive, interactive system that focuses on collaboration, accessible approaches, and recognition of individuals’ places within structural systems. This structural solution brings inclusive practices, equity, and justice to the forefront of scholarly publishing at Cal Poly — centering historically underrepresented identities, perspectives, and creativity.
 
Current Projects:
Founded in 2020, the Public Humanities Collaborative (PHC) is coordinated by interdisciplinary faculty at Cal Poly, San Luis Obispo in collaboration with Kennedy Library’s Special Collections and Creative Works departments. The PHC works with campus and community members across the Central Coast of California to support public humanities and to engage underrepresented and under-resourced groups in various archival and storytelling projects. Central Coast Snapshots gathers stories that center perspectives of those historically marginalized on California’s Central Coast, stories that take shape in any number of forms (interviews, photo essays, poetry, videos, journals, documentaries, art, portraits) during this critical, COVID-19 moment.
Upcoming projects:
  • June Fist 2020: A community-driven record of protests and solidarity for Black lives—sharing the testimonies of those mobilized on the Central Coast during the summer uprisings for Black lives.
  • Letters from a Pandemic: an interactive storytelling project using correspondence to reflect upon the experiences of the COVID-19 pandemic.
 
Find us online: http://centralcoastsnapshots.online

Additionally:
In her spare time she served as the associate producer and archival researcher for the documentary film Lives Well Lived and a sometime contributor to KCET’s Artbound — transmedia journalism exploring Southern California's arts and culture. Additionally, she co-founded an organization to support the undocumented student community in San Luis Obispo and Northern Santa Barbara Counties.


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© 2021 Nothing Happened Here. All Rights Reserved.
All photos by Catherine Trujillo unless otherwise captioned. "Dog" by Suzi Bliss, 2012.
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